Strings first showed up in Barbara Hepworth’s (1903–1975) practice in 1939—and remained threaded throughout her practice. To the British sculptor, they served her perceptual aims, allowing dramatic ...

Introduction / Penelope Curtis and Chris Stephens -- Crafting modernism: Hepworth's practice in the 1920s / Ann Compton -- Reflections on a relationship: Barbara Hepworth and Ben Nicholson, the early ...

The U.K. has successfully raised £3.8 million ($5.1 million) to save Barbara Hepworth’s (1903–1975) Sculpture with Colour (Oval Form) Pale Blue and Red for the nation. Created by one of Britain’s most ...

Barbara Hepworth, “Pelagos” (1946), Sculpture Elm and strings on oak, 430 x 460 x 385 mm (Tate © Bowness) Barbara Hepworth in the Palais de la Danse studio, St ...

An “extremely rare” sculpture by late artist Barbara Hepworth is to be saved after an art gallery raised £3.8 million. The 1943 work entitled Sculpture With Colour (Oval Form) Pale Blue And Red had ...

Michael White is a co-convener of the AHRC-funded Hepworth Research Network, working with The Hepworth Wakefield and the University of Huddersfield to bring together art historians, artists, ...

HMSG copy purchased from the Arts Libraries Endowment. Barbara Hepworth: The Sculptor in the Studio' is the first study devoted to Hepworth's St Ives studio in which the centrality of Trewyn Studio ...

Barbara Hepworth Barbara Hepworth, born in Wakefield, England in 1903, was a leading figure in modernist sculpture. She studied at the Leeds School of Art and the Royal College of Art in London.

In death as in life, it has been the unhappy fate of the sculptor Barbara Hepworth (1903–75) to be overshadowed by her compatriot and contemporary Henry Moore—by the size of his output, the scale of ...