“Morisot and Manet are two of the artists on this arm,” said my tour guide, Alice, “they were both living in Paris before the ...

Édouard Manet was not immune to bad press. In 1864, a year on from scandalizing Parisian mores with his vision of bourgeoisie vice in Déjeuner sur l’Herbe (1863), his follow-up Salon entry was being ...

Ultimately, Manet and Morisot speak out from canvases and paper in a language composed of color, line, light, and shadow. Theirs is the language of the eyes, not of the tongue.

Edouard Manet, The Balcony, 1868-1869. Oil on canvas, 66 15/16 x 49 3/16 in. (170 x 125 cm). Musée d’Orsay, bequest Gustave Caillebotte, 1894. © RMN-Grand Palais ...

UPPER EAST SIDE, Manhattan (WABC) -- Two old friends come together again - this time at the Metropolitan Museum of Art. Edgar Degas, his vibrant colors against a stark background. Édouard Manet, whose ...

Why is Manet here?” At the National Museum of Korea in Yongsan, Seoul, visitors to the special exhibition *From Impressionism ...

Add Yahoo as a preferred source to see more of our stories on Google. BOSTON — Édouard Manet (1832-1883), the urbane, elusive, irony-loving Parisian who flushed away exhausted pictorial conventions ...

For more than a century, the story of the relationship between Impressionist artists Édouard Manet and Berthe Morisot has been painted as one of exclusively male influence. But a new exhibition at the ...

A new exhibition at the Legion of Honor in San Francisco captures the creative spark between two avant-garde 19th-century painters, Édouard Manet and Berthe Morisot. By Karen Rosenberg The ...

Edgar Degas, "Monsieur and Madame Édouard Manet” (1868–69), oil on canvas, 25 9/16 x 27 15/16 inches; Kitakyushu Municipal Museum of Art (photo courtesy Kitakyushu Municipal Museum) Punctuation as ...