In The Meeting, Gustave Courbet depicts his chance encounter with a wealthy patron, Alfred Bruyas, on a dirt road in the open countryside. Also called Bonjour Monsieur Courbet, the scene is a study in ...

"[They] call me ‘the socialist painter.' I accept that title with pleasure. I am not only a socialist but a democrat and a Republican as well--in a word, a partisan of all the revolution and above all ...

Courbet described the man in his Wounded Man (1844–54) portrait as a wounded duelist "in his death throes." courtesy of The Metropolitan Museum of Art Courbet's sisters served as models for the women ...