Yuval Sharon’s debut production featured an astonishing performance by the soprano Lise Davidsen. It is the event of the season.

Lise Davidsen and Michael Spyres in the Met’s Tristan und Isolde. Photo: Karen Almond/Met Opera The opening night of the Metropolitan Opera’s new Tristan und Isolde was one of those great nights at ...

Audiences hoping to encounter favorite works brush up against directors trying to make 21st-century opera fresh.

Masquerade is a new immersive theater reimagining of The Phantom of the Opera---here's our review of this NYC adventure. The post MASQUERADE Review: Immersive PHANTOM OF THE OPERA Is a Quintessential ...

Condensing Melville’s vast and discursive work into a three-hour opera may have seemed as foolish as Captain Ahab’s increasingly desperate voyage to find the whale that maimed him, but Heggie and ...

Opera Orlando artistic director Grant Preisser had a nifty idea: There are two shortish operas, both set in a town square in Sicily, both taking place in a single day and both dealing with love and ...

From its insidious opening clarinet solo, Richard Strauss’s “Salome” is a creepy, unsettling piece of theater, its story rooted in unhealthy sexual obsession. For his new production at the ...

This summer’s Santa Fe Opera season, which runs through Aug. 23, skews toward standard repertoire, but there were surprises within that narrow compass. Director Melly Still gave Wagner’s “Die Walküre” ...

NORTHAMPTON — As I walked and whistled out of the Academy of Music on Nov. 9, Able Seaman Paul Peelle — still made up for the stage and dressed in stripes of white and Royal Navy blue — reminded me of ...

SARATOGA SPRINGS, N.Y. — He comes here every day, to gather wood. Axe in hand, the woodcutter (baritone Geoffrey Schmelzer) sang as much when he introduced “In A Grove” with see-sawing modulation, ...