Plus, get the best of BroadwayWorld delivered to your inbox, and unlimited access to our editorial content across the globe. In what has become an "enjoyable tradition during the holiday season" (The ...

The curse of Apollo strikes, however. That is Balanchine’s Apollo, still as shockingly new and explicitly thrilling today as it was 85 years ago, and - as an opener on the triple bill - putting down a ...

His three muses were a mixed blessing—but not mixed enough, too undifferentiated in height and appearance. Tiler Peck danced impeccably (as she always does), but for me Terpsichore is both more leggy ...

In her acceptance speech, she talked about the significance of The Apollo, especially as a Black dancer in a white-dominated art form, ballet: It’s amazing to be here in Harlem, to be in this house.

The central part in “Apollo” (1928) — the oldest George Balanchine work that the company performs — is one of the most difficult male roles in the repertory, requiring athleticism and dramatic depth.