The vast majority of the world’s hungry are farmers. In a world of such ironies, many turn to faith or fate to explain affliction and its consequences. The mothers Martín Caparrós interviews don’t ...

Although Sylvia Plath is admired by many literary scholars and even adored by some passionate readers, critics have not been unanimous in their assessment of her art. Irving Howe declared in 1972 that ...

In Days without End, the fourth in a loose series of novels chronicling the McNulty dynasty, Sebastian Barry travels back in time and across the Atlantic to a troubled 19th-century America. The ...

From Michel Houellebecq’s Islamicised France in Submission to Lionel Shriver’s vision of an autarkic United States in The Mandibles, the political disaster novel is in vogue and one only has to pick ...

The mystery of Agatha Christie's extraordinary appeal is the subject for investigation in this engaging study by Robert Barnard, and by the end of the book you should be a lot clearer about the ...

A curious patchwork of autobiography, cultural history and nature writing, novelist Edward Parnell’s first non-fictional work, Ghostland, explores the haunted places of the British Isles as he ...

With The Real Lolita, Sarah Weinman might be said to have invented a completely new genre: true-crime literary criticism, which is not to be confused with truly criminal literary criticism, which, of ...

For a French provincial town with just over four thousand inhabitants, Cluny in Burgundy boasts more than its fair share of fine stone medieval houses, towers from a generous circuit of former town ...

Albert Camus wrote that ‘the world needs real dialogue, that falsehood is just as much the opposite of dialogue as is silence, and that the only possible dialogue is the kind between people who remain ...

Not another book about the Nazis! The heart sinks further at the first sentence of this 600-page volume: 'This book is the first of three on the history of the Third Reich.' Can there really be ...

Ben Okri, in addition to providing one of the most haunting and evocative titles of this year, has a sure hand with his chosen genre, the short story. Not a word is wasted, not a phrase out of place.

It is odd to read a novel one simultaneously admires and loathes. The admiration is for the book’s intelligence, lack of sentimentality and often extraordinary phrase-making: the loathing is for the ...