This high-energy musical remix transforms a classic and legendary surfer interview into an infectious rhythmic track that celebrates the thrill of wave riding. By creatively looping iconic phrases ...

Dry Cleaning's new song sounds like it's about halfway between Sonic Youth and Stereolab. There. That oughta do it, right? If you're sitting here and reading Stereogum, that was probably enough to ...

The singular, disconcerting uneasiness that is so characteristic of Joy Williams’ fiction, yet so hard to pin down, is once again dazzlingly on display in her latest collection, “The Pelican Child.” ...

Christopher Williams’ return to music came after his life was forced to slow down in a way he never expected. In 2021, the singer suffered kidney failure, collapsed, and spent nearly a month in a coma ...

Paul Williams is known for his ability to elicit both laughter and tears. This week, he and his decades of music will be celebrated at the 92nd Street Y. Credit... Supported by By Elysa Gardner In ...

The Moroccan film festival will kick off on Nov. 28 with Gus Van Sant's 'Dead Man's Wire.' By Lily Ford A handful of Hollywood talent have joined South Korean auteur Bong Joon Ho on the jury at this ...

At its best, Joy Williams’s “The Pelican Child” is delightfully unhinged; at its worst, willfully weird and repetitive. By Alexandra Jacobs When you purchase an independently reviewed book through our ...

“The demands of living have consequences,” a haunted young mother says in Joy Williams’s 1978 novel, “The Changeling,” “and that is called fate.” The woman’s brother-in-law, a frightening man with ...

In my struggle to suitably describe Joy Williams’s “The Pelican Child” (Knopf, 176 pages, $27), I have turned to a line by Ms. Williams herself, from the book’s opening story, “Flour.” Here, a woman ...