Most of the previous releases by the Mighty Zaf's 80s imprint have been fairly faithful, scalpel style re-edits, frequently of dusty obscurities and private press gems. Here, Zaf joins forces with producer Linkwood to deliver something slightly different: a bona-fide club workout that combines elements from an Italo-disco ajacent Japanese synth obscurity with beefy but dusty house beats. It's a simple idea, expertly executed, sounding like a long-lost horror disco record made sometime around the

London-based duo U-BEND continue their run of mischievous club tools, working from a scene that tends to prize odd pressure points and late-night instinct. Their releases often move between tight rhythmic sketches and heavier mutations and this new pair follows the same line, though with a clearer sense of shape. You can hear them leaning into the edges of acid and percussion as they use subtle changes in tone to hurl the tracks forward. 'Wu Han Clang' opens out with a steady chug, with its acid

Scottish producer Milton Jackson returns to Freerange with four club-rooted collaborations that bridge Glasgow's punch with Detroit's finesse. It's a new release that brings Brian Kage on co-production and mastering, HazMat Live on synth duties, and Jon Dixon supplying characteristically sharp keys i and the results are as warm and robust as you'd expect. Listen here: https://www.juno.co.uk/products/milton-jackson-brian-kage-fire-emoji-ep-vinyl/1087516-01/ | Juno Records